| kiteniece8's Forum Info |
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| Additional Info About kiteniece8 |
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When “Tatort” referred to the Berlin International Film Festival for the first and so far only time, the result was a moderate crime disaster: Urs Odermatt's “Tatort: A Touch of Hollywood” was the lowest to date in 1998 with 1.1 million viewers Audience rating of all "Tatort" episodes broadcast for the first time - which, in addition to the inferior Betacam aesthetics and a failed satirical approach, was mainly due to the fact that the thriller was not broadcast on a Sunday as usual, but on a Monday at 11 p.m. due to the glaring defects has been. The Berlin episode quickly found its way into the notorious “poison cabinet” of the ARD and has not been repeated on television for decades. With director Sebastian Marka and screenwriter Erol Yesikaya, two filmmakers are now daring to go to a “crime scene” set at the Berlinale, but unlike their predecessors, they hit the bull's eye. Because their highly complex "Tatort: Meta" is not only an aesthetically outstanding game with the boundaries between fiction and reality - a structurally extraordinary, inspiring film-within-a-film construction whose Hollywood bonds never degenerate into an end in itself.
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